that my first try at salvaging ugly clay prints. First I tried fusing Wonder Under to the back of the prints. The substrate that I normally use is Reemay, a non-woven polyester "fabric" that is used in house & insulation work as well as in gardens as a barrier to frost.Well, the Reemay took the Wonder Under easily, but it is difficult to the fuse these pieces to one another. They need more than 1/4" of overlapping to hold. They will fuse to cotton fabircs, a background piece here, and they are easy to sew. Needless to say I put them through the sewing machine and used metalic paper and brass wire to bring some light to the piece.
3 comments:
The light is beautiful, you can really see it shining through. It brings life to the piece. Jen
I love the way you've put these colours together - they work gloriously.
And i'm quite taken by *your* monoprints---we need to talk!
Post a Comment