Tuesday, July 06, 2010

New Work--Monoprints


Got to spend some time in the studio over the long holiday weekend. This is one of the results. I have been working on a series of altered pieces, Doors & Windows, in which I combine clay monoprints. Using scissors I cut windows or doors in the monoprints and lay another print under so that the viewer can "see into" it. Then I outline the doors and windows using various stitiches on my trusty sewing machine. For this piece I noticed that I still needed more lights to contrast with the darks and middle ranges, so a third print was cut and used lintel-like across the doors and windows to bring in lights and the bright blue. Lots of repetition here with the vertical and horizontal shapes as well as repetition of colors.Posted by Picasa

Thursday, June 24, 2010

FALL ART RETREAT WITH MARILYN PHILLIS SAVE THE DATE! September 9-12

SPEND A WEEKEND WITH MARILYN HUGHEY PHILLIS & CHERYL HARSHMAN AS YOUR GUIDES INTO CREATIVE REALMS

CELEBRATING THE CREATIVE SPIRIT:
a workshop of art and creativity

September 9-12, 2010
Sandscrest Retreat Center
Wheeling, WV

This workshop will emphasize the creative nature that is a part of each being. In the very act of creating, there develops a unique expressive image which creates the individual artistic statement. This can be a sacred and very personal act for each artist. That inner spiritual nature within each artist must be expressed in its truest form to create, through design and expressive energy, a work that has impact and also reaches the heart.

In the beautiful settings of trees and hills of Sandscrest, we can gather informally to search for nature's and our own message in our work. Some exercises will be suggested, but you are free to pursue your own search during the workshop. We seek to become better visual communicators through our paint, brushes, papers, and sharing of dreams and ideas.
Marilyn will share different approaches to your personal statement plus explorations of fluid acrylic paint and/or watercolor in ways of expressing nature's beauty.
All levels of experience accepted. A materials list will be sent on receipt of registration.

The Details
Cost for the workshops, from Thursday dinner through Sunday lunch, includes all food and lodging. Rooms are twin bedded with shared bathrooms. Sandscrest living has a comfortable, shabby chic feel and is not a resort. Plenty of parking is available for those driving and travelers by train, plane, or bus will be provided ground transport to Sandscrest. Class limited to 20 participants.

Look for more info & updates at: www.violetpatch.blogspot.com
MARILYN HUGHEY PHILLIS
72 STAMM CIRCLE
WHEELING, WV 26003
304-242-6831
mhphillis@ yahoo.com

Tuesday, January 19, 2010

Gal's Best Friend

 
 

So here is my darling dog, Smiley. She's just had surgery, a basketball injury, she blew out her knee. She is resting and healing well. She is a dog of mature years, and the jump shots and fast breaks have taken their toll on her!

 
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She has been invaluable while I've been knitting a baby shower gift this week. Actually, this is not the yarn that went into the baby gift, this was old yarn for playing with. Smiley is now using all for legs again, thank goodness.

Wednesday, November 18, 2009

RESERVE YOUR PLACE IN THE MARCH WORKSHOP




SPEND A WEEKEND WITH MARILYN HUGHEY PHILLIS & CHERYL HARSHMAN AS YOUR GUIDES INTO CREATIVE REALMS

CELEBRATING THE CREATIVE SPIRIT:
a workshop of art and creativity

March 18-21, 2010
Sandscrest Retreat Center
Wheeling, WV

This workshop will emphasize the creative nature that is a part of each being. In the very act of creating, there develops a unique expressive image which creates the individual artistic statement. This can be a sacred and very personal act for each artist. That inner spiritual nature within each artist must be expressed in its truest form to create, through design and expressive energy, a work that has impact and also reaches the heart.

In the beautiful settings of trees and hills of Sandscrest, we can gather informally to search for nature's and our own message in our work. Some exercises will be suggested, but you are free to pursue your own search during the workshop. We seek to become better visual communicators through our paint, brushes, papers, and sharing of dreams and ideas.
Marilyn will share different approaches to your personal statement plus explorations of fluid acrylic paint and/or watercolor in ways of expressing nature's beauty.
All levels of experience accepted. A materials list will be sent on receipt of registration.

The Details
Cost for the workshops, from Thursday dinner through Sunday lunch, includes all food and lodging. Rooms are twin bedded with shared bathrooms. Sandscrest living has a comfortable, shabby chic feel and is not a resort. Plenty of parking is available for those driving and travelers by train, plane, or bus will be provided ground transport to Sandscrest. Class limited to 20 participants.


COST: Early bird discount before February 20, 2010 $495
After February 20, 2010 $525
Look for more info & updates at: www.violetpatch.blogspot.com
MARILYN HUGHEY PHILLIS
72 STAMM CIRCLE
WHEELING, WV 26003
304-242-6831
mhphillis@ yahoo.com

Marilyn Phillis has taught workshops across the nation for the last 35 years and is recognized as a teacher who nurtures and challenges her students through helping them to find their own personal statements. The inner spiritual creative element is a long cherished potential she finds as a hidden way of expression among many students and tries to help develop. Elected member of American Watercolor Society, AWS, and National Watercolor Society, NWS, Author of WATERMEDIA TECHNIQUES FOR RELEASING THE CREATIVE SPIRIT. In 2000, she was elected to two Halls of Fame: The Wheeling, WV Hall of Fame and the Kent, Ohio Hall of Fame.

Wednesday, November 11, 2009

SOLD!

Pots & Prints enjoyed a festive opening last Friday. Folks offered lovely, encouraging comments and even better, they put their money where their mouths were. Several pieces have been sold including two small collages in shadowboxes and these monoprints. (In the bottom picture, it's the monoprint with the black mat that sold.)





Thanks to friends and supporters of the arts who visited the show.

Monday, November 02, 2009

ART ON THE WALLS

 
 
 
 


Spent Saturday at ArtWorks Around Town hanging my work for the show opening on Friday, November 6. I always feel so amazed to see my work out of the dark basement where it's made & stored and on walls under nice lighting. Wow!

I visitor to the gallery looked at the work after it was hung and asked, "How many artists are represented here?" "Just me, so far," I replied. Her comment made me laught, first because I was pleased that someone noticed the different media I work in; and second because I must be schizophrenic--the many faces of Cheryl!

The opening reception is November 6 from 5-8. If you are near Wheeling, please come. The show will hang through the month.
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Thursday, October 29, 2009

New Art Show @ ArtWorks




I've been working for months on new clay monoprints, having lept to a
larger size 36"x36". I think they are all ready. I've double checked the frames. I've added and deleted the lesser pieces. I think I'm ready to hang the show.

I will be joined by Lambros, a fabulous local potter and friend, as we combine his pots and my clay prints. We hope that visitors will see and feel the attraction of clay in its different forms.




The show "Pots & Prints" opens November 6 at ArtWorks Around Town, 2200 Market Street, Wheeling. The opening is from 5-8pm and the show will be up the month of November.

Please visit.

Tuesday, October 27, 2009

Art Workshop


What a wonderful weekend of making art and making friends! Ten of us gathered at Sandscrest Retreat Center to paint and make clay monoprints. Here you can see a wonderful class project that we made together to learn various clay printing techniques.

Colors, textures, and lots of inspiration from the autumn majesty surrounding us lead us to stretching our creative boundaries.



The view from the veranda was awe-some





We have dates for 2010, so plan to join us.

March 18-21 a long weekend for painting, printing, and recharging your spirit after a long winter.

June 13-19 a full week to go deeply into your creative spirit and take your art to a higher level.

Monday, August 03, 2009

New Work


Finally finished! Here's a quilt that was started last year on viewing a fabulous exhibit of Nancy Crow's new work. Trying to learn from her, I triple dyed the fabrics, then machine pieced the top. How is it that an entire year can pass between times working on a project? This weekend I spent some time with the quilt and finished the backing and the quilting. Voila!

In preparation for my November's art show, I gave myself a mini art retreat weekend. While I worked on some painting and color theory (and the above quilt), I also tried tearing apart ugly clay monoprints and sewing them back together. The jury is still out on how effective this new technique is, so if you want to weigh in and leave me a comment, that would be welcome.

I've been thinking here about doors and windows; the comings and goings of our lives.

 
 
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Wednesday, July 29, 2009

New Summer Work



I have been making some art. The clay monoprinting has been very exciting as I have moved into a larger format, 36x36. I love this size, although it is physically more challenging as well. Challenging because of the weight of the clay in the frame as well as the amount of upper strength it takes to rub and pull a print this size. But I really like it all!

One of the earliest pieces in this size is currently hanging in the Cultural Center in WV's capitol. The title here is "Christos Rey" and I am thrilled to be included in the Emerging Artists of WV Juried Show. This exhibit showcases emerging artists in the the Commissioner's Gallery in the newly refurbished WV State Museum.

More new prints came out of the time spent at the Celebrating the Creative Spirit with Marilyn Phillis. They reflect my visit to the Axelle Gallery in Chelsea, NYC and show my attempts at a new painterly style & technique.



And finally, two more prints as I work through my two interests-- Abstract Expressionism and Minimal Ruralism. LOL, the clay monoprinting technique does not allow for details and so these two approaches seem to work in creating bold images on the reemay. Hope to have more to share in the coming weeks.


Wednesday, April 08, 2009

CELEBRATING THE CREATIVE SPIRIT


SPEND A WEEK WITH MARILYN HUGHEY PHILLIS & CHERYL RYAN HARSHMAN AS YOUR GUIDES INTO
CREATIVE REALMS


March 18-21, 2010
Sandscrest Conference & Retreat Center, Wheeling


Marilyn Hughey Phillis

This workshop will emphasize the creative nature that is a natural part of each being.  In the very act of creating there develops a unique expressive image which creates the individual artistic statement.  This can be a sacred and very personal act for each artist.  That inner spiritual nature within each artist must be expressed in its truest form to create through design and expressive energy a work that has impact and also reaches the heart.

In the beautiful settings of trees and hills of Sandscrest, we can gather informally to search for nature's and our own message in our work.  Some exercises will be suggested, but you are free to pursue  your own search during the week.  We shall seek to become better visual communicators through our paint, brushes, papers, and sharing of dreams and ideas.  Marilyn will share two different approaches to your personal statement: collage making using painted materials to create representational and abstract works plus explorations of  fluid acrylic paint and/or watercolor  in ways of expressing nature's beauty.  All levels of experience accepted. A materials list will be sent on receipt of registration

Marilyn Phillis has taught workshops across the nation for the last 35 years and is recognized as a teacher who  nurtures and challenges her students through helping them to find their own personal statements.  The inner spiritual creative element is a long cherished potential she finds as a hidden way of expression among many students and tries to help develop. Elected member of American Watercolor Society, AWS, and National Watercolor Society, NWS, Author of WATERMEDIA TECHNIQUES FOR RELEASING THE CREATIVE SPIRIT. In 2000, she was elected to two Halls of Fame:  The Wheeling, WV Hall of Fame and the Kent, Ohio Hall of Fame.

The Details

Cost for both workshops, from Sunday dinner through Friday lunch, includes all food and lodging. Rooms are twin bedded with shared restrooms. Sandscrest living has a comfortable shabby chic feel and is not a resort. There is plenty of parking for those driving and travelers by train, plane, or bus will be provided ground transport to Sandscrest. A commuter plan is offered to local artists who do not wish to lodge at Sandscrest. Meals are included in the commuter price as well. Class limited to 20 participants.

COST:
Full week course: $550
Commuter course: $400
Early registration discount:
Full week: $500
Commuter: $350
Look for more info & updates contact Marilyn at:


MARILYN HUGHEY PHILLIS

MHPHILLIS@YAHOO.COM

Monday, September 08, 2008

Quilts, and more quilts


Finally have a camera to post some of the work I've been doing. The orange quilt shows some attempts to marble over hand dyed fabric. The other shows attempts with a bleach pen. And finally, a retirement gift for a friend in the children's literacy world.

Gloria Steinem: Sarah Palin--WRONG WOMAN

Palin: Wrong Woman, Wrong Message
Sarah Palin shares nothing but a chromosome with Hillary Clinton. She is Phyllis Schlafly, only younger.
By Gloria Steinem

September 4, 2008

Here's the good news: Women have become so politically powerful that even the anti-feminist right wing -- the folks with a headlock on the Republican Party -- are trying to appease the gender gap with a first-ever female vice president. We owe this to women -- and to many men too -- who have picketed, gone on hunger strikes or confronted violence at the polls so women can vote. We owe it to Shirley Chisholm, who first took the 'white-male-only' sign off the White House, and to Hillary Rodham Clinton, who hung in there through ridicule and misogyny to win 18 million votes.

But here is even better news: It won't work. This isn't the first time a boss has picked an unqualified woman just because she agrees with him and opposes everything most other women want and need. Feminism has never been about getting a job for one woman. It's about making life more fair for women everywhere. It's not about a piece of the existing pie; there are too many of us for that. It's about baking a new pie.

Selecting Sarah Palin, who was touted all summer by Rush Limbaugh, is no way to attract most women, including die-hardClinton supporters. Palin shares nothing but a chromosome with Clinton. Her down-home, divisive and deceptive speech did nothing to cosmeticize a Republican convention that has more than twice as many male delegates as female, a presidential candidate who is owned and operated by the right wing and a platform that opposes pretty much everything Clinton's candidacy stood for -- and that Barack Obama's still does. To vote in protest for McCain/Palin would be like saying, 'Somebody stole my shoes, so I'll amputate my legs.'

This is not to beat up on Palin. I defend her right to be wrong, even on issues that matter most to me. I regret that people say she can't do the job because she has children in need of care, especially if they wouldn't say the same about a father. I get no pleasure from imagining her in the spotlight on national and foreign policy issues about which she has zero background, with one month to learn to compete with Sen. Joe Biden's 37 years' experience.

Palin has been honest about what she doesn't know. When asked last month about the vice presidency, she said, 'I still can't answer that question until someone answers for me: What is it exactly that the VP does every day?' When asked about Iraq, she said, 'I haven't really focused much on the war in Iraq.'

She was elected governor largely because the incumbent was unpopular, and she's won over Alaskans mostly by using unprecedented oil wealth to give a $1,200 rebate to every resident. Now she is being praised by McCain's campaign as a tax cutter, despite the fact that Alaska has no state income or sales tax. Perhaps McCain has opposed affirmative action for so long that he doesn't know it's about inviting more people to meet standards, not lowering them. Or perhaps McCain is following the Bush administration habit, as in the Justice Department, of putting a job candidate's views on 'God, guns and gays' ahead of competence. The difference is that McCain is filling a job one 72-year-old heartbeat away from the presidency.

So let's be clear: The culprit is John McCain. He may have chosen Palin out of change-envy, or a belief that women can't tell the difference between form and content, but the main motive was to please right-wing ideologues; the same ones who nixed anyone who is now or ever has been a supporter of reproductive freedom. If that were not the case, McCain could have chosen a woman who knows what a vice president does and who has thought about Iraq; someone like Texas Sen. Kay Bailey Hutchison or Sen. Olympia Snowe of Maine. McCain could have taken a baby step away from right-wing patriarchs who determine his actions, right down to opposing the Violence Against Women Act.

Palin's value to those patriarchs is clear: She opposes just about every issue that women support by a majority or plurality. She believes that creationism should be taught in public schools but disbelieves global warming; she opposes gun control but supports government control of women's wombs; she opposes stem cell research but approves 'abstinence-only' programs, which increase unwanted births, sexually transmitted diseases and abortions; she tried to use taxpayers' millions for a state program to shoot wolves from the air but didn't spend enough money to fix a state school system with the lowest high-school graduation rate in the nation; she runs with a candidate who opposes the Fair Pay Act but supports $500 million in subsidies for a natural gas pipeline across Alaska; she supports drilling in the Arctic National Wildlife Reserve, though even McCain has opted for the lesser evil of offshore drilling. She is Phyllis Schlafly, only younger.

I don't doubt her sincerity. As a lifetime member of the National Rifle Assn., she doesn't just support killing animals from helicopters, she does it herself. She doesn't just talk about increasing the use of fossil fuels but puts a coal-burning power plant in her own small town. She doesn't just echo McCain's pledge to criminalize abortion by overturning Roe vs. Wade, she says that if one of her daughters were impregnated by rape or incest, she should bear the child. She not only opposes reproductive freedom as a human right but implies that it dictates abortion, without saying that it also protects the right to have a child.

So far, the major new McCain supporter that Palin has attracted is James Dobson of Focus on the Family. Of course, for Dobson, 'women are merely waiting for their husbands to assume leadership,' so he may be voting for Palin's husband.

Being a hope-a-holic, however, I can see two long-term bipartisan gains from this contest.

Republicans may learn they can't appeal to right-wing patriarchs and most women at the same time. A loss in November could cause the centrist majority of Republicans to take back their party, which was the first to support the Equal Rights Amendment and should be the last to want to invite government into the wombs of women.

And American women, who suffer more because of having two full-time jobs than from any other single injustice, finally have support on a national stage from male leaders who know that women can't be equal outside the home until men are equal in it. Barack Obama and Joe Biden are campaigning on their belief that men should be, can be and want to be at home for their children.

This could be huge.

Friday, August 15, 2008

MATERIAL MATTERS



Spent a wonderful afternoon in Columbus this week with my cousins F & M, first with lunch at the Florentine, an old Columbus restaurant, and then at the Columbus Museum of Art. I was especially happy to view the exhibit Material Matters

I was thrilled to see some quilters whose work I only know from their virtual galleries, Sue Benner and Joanie San Chirico, for example. The image to the left is by Sue, and the one on the right is by Debbie Pentak. The exhibit was wonderful, wonderful! It's only there until August 31, so if dear reader you find yourself near Columbus, it is worth a stop.

Thursday, August 07, 2008

Summer Reading

Occasionally I write a book review column for the local newspaper. This is a piece from earlier this season.


It’s finally summer and while the list of things to do around the house grows exponentially, I find that I am getting a lot of reading done. Maybe it’s because there are only reruns on TV, or maybe it’s because there are more hours of daylight now, maybe it is just avoidance. Anyway, I find summer vacation reading to be wonderfully luxurious.

The best book I’ve read so far this summer is THE UNDERNEATH by Kathi Appelt.
Technically this is a children’s book, but don’t let that stop you. If you read and loved Where the
Red Fern Grows, The Yearling, The Incredible Journey, Watership Down or Charlotte’s Web,
read this book.

It begins: “There is nothing lonelier than a cat who has been loved, at least for a while, and then
abandoned on the side of the road." Deep in the bayous a cat is left to fend for itself in a forest
with her belly full of unborn kittens. She is looking for somewhere safe to live, but instead she
finds Ranger, a hound, shot be accident years ago and chained ever since to the house of a man
known only as Gar Face. Ranger warns the cat that this place is dangerous and that Gar Face will kill her if he finds her, but she refuses to leave. The two curl up under the house into the
Underneath and there she gives birth to two kittens that she names Puck and Sabine. If you've a ten-year-old that can't read Charlotte's Web because they find Charlotte's death too disturbing, is this NOT the book for them. Other kids though, the ones with thicker skins, they will find much to love in this story. It will usher them into maturity, whether they want to go there or not. And it will use cute furry animals to do it.

Also on my list are an eclectic assortment of books beginning with David Sedaris’ new title
WHEN YOU ARE ENGULFED IN FLAMES. Reading a David Sedaris essay is like watching the author think. Each one is told as a stream of consciousness that somehow ties together beautifully in the end. This collection includes some laugh-out-loud essays, and others that are touching and poignant. All are thoughtful and so original they are obviously taken from real life. The stories are filled with memorable characters.

For pure fun I want to read Janet Evanovich’s latest, FEARLESS FOURTEEN, and yes, I’ve read the previous thirteen. Stephanie Plum, main character, is so smart, so honest, and so funny that her narrative charm could make a documentary on taxes be interesting. This tough gal from New Jersey, an unemployed discount lingerie buyer, has landed a job as a private detective in her cousin’s agency. Laughs ensue while murderers are captured. Janet Evanovich shares an
authentic feel for the streets of Trenton in this mystery series, and her tough, frank, and funny
first-person narrator offers a winning mix of vulgarity and sensitivity. BTW--I love the
grandmother character!

Although I am not going to make it to any beach this summer, I can visualize that vacation with
Jane Green’s THE BEACH HOUSE. Jane Green’s avid and loyal fans follow her because she writes about the true-to-life dilemmas of women—and The Beach House will not disappoint. Known in Nantucket as the crazy woman who lives in the rambling house atop the bluff, Nan doesn’t care what people think. At sixty-five-years old, her husband died twenty years ago, her beauty has faded, and her family has flown. If her neighbors are away, why shouldn’t she skinny dip in their swimming pools and help herself to their flowers? But when she discovers the money she thought would last forever is dwindling and she could lose her beloved house, Nan knows she has to make drastic changes. So Nan takes out an ad: Rooms to rent for the summer in a beautiful old Nantucket home with water views and direct access to the beach. Slowly, people start moving into the house, filling it with noise, with laughter, and with tears. As the house comes alive again, Nan finds her family expanding. Her son comes home for the summer, and then an unexpected visitor turns all their lives upside-down.

BURNING BRIGHT is Tracy Chevalier's latest novel. It paints a colorful, compelling portrait of 18th century London: the teeming streets, bawdy pubs, filthy factories, working-class homes, and the political unease generated by the French Revolution. The title, from a William Blake poem, hints that this historical fiction centers around Blake.The author's talent lies in bringing alive the ordinary day-to-dayness of the past. This work may not be as strong as Chevalier's earlier work,but it is a fun, fast read and perfect for summer reading.

Finally, I want to read Randy Pausch’s THE LAST LECTURE. A lot of professors give talks titled "The Last Lecture." One of the staples of "the college experience" at many schools is the "last lecture" --- a beloved professor sums up a lifetime of scholarship and teaching as if he/she were heading out the door for the last time. Professors are asked to consider their demise and to
ruminate on what matters most to them. And while they speak, audiences can't help but mull the same question: What wisdom would we impart to the world if we knew it was our last chance? If
we had to vanish tomorrow, what would we want as our legacy?

When Randy Pausch, a computer science professor at Carnegie Mellon, was asked to give such a
lecture, he didn't have to imagine it as his last, since he had recently been diagnosed with
terminal cancer. But the lecture he gave--"Really Achieving Your Childhood Dreams"--wasn't
about dying. It was about the importance of overcoming obstacles, of enabling the dreams of
others, of seizing every moment (because "time is all you have...and you may find one day that
you have less than you think"). It was a summation of everything Randy had come to believe. It
was about living. In this book, Randy Pausch has combined the humor, inspiration and
intelligence that made his lecture such a phenomenon and given it an indelible form. I too want
to mull over the reason that I am here and what I still have to finish.

Monday, August 04, 2008

Icon Making


These are mixed media icons made with layers of lace, trims, cheesecloth, gesso, and acrylics. Lots of layers, lots of texture, and lots of fun to make. The purple icon is framed in a shadow box and this bottom one is mounted on a board painted black (much cheaper). I have been studying Russian icons and their religious meanings. I am interested, not so much in religious meaning for these humble pieces, but as focal points for contemplation and introspection.

Friday, August 01, 2008

HIATUS IS OVER

After a very long dry spell, this blog is back. While I knit and wrote and made art, I did not post to this blog. Being without a camera (Truly, my dog DID eat the camera!) also kept me from blogging photos. So all in all, here is a start. And here is an embedded slide show of some new work. The slide show offers a glimpse into my week at Art Camp for Ole Biddies (what my DD calls it) held at Hemlocks Studio in Cedar Mountain, NC. The work here includes clay monotypes, watercolor resist on Pellon and oil pastel. Also there's a little fused quilt for some color. Hope to share more soon.

Sunday, September 09, 2007

CLOTH & CLAY @ Artworks


Well, folks I made it through the opening of my solo art show Friday night! It was a huge success (not monetarily, however) with over 100 people in attendance. Lots of old friends, lots of new friends, good eats, too.


I was asked to demonstrate how to make a clay monoprint so I brought all the clay and pigments and tools. But what made the how-to so terrific were the two helpers, Jack & Nick, ages 8 & 5, who already know a lot about making art.
I have created a web album and you can see it here:
I have received many words of congratulations and encouragement and that is its own reward. Thank you friends for coming out to the opening, and to long distance friends who check it via this blog.

Thursday, September 06, 2007

News Notes

First, there's this. Here's a sock using all the leftovers from my sock yarn stash...some black cahmere, some red Lorna's Laces, all mixing in. Worked on this sock on my travels to and from Poughkeepsie, NY earlier this month. Hope to have the pair completed by the time of my second visit there. Wink, wink; nudge, nudge.

I've been experiencing a lot of pain in my left wrist, so the knitting is slow going with the help of drugs! I have a couple of felted bag patterns I want to try to get on the needles before the holidays, and there are always flamboyant scarves. This is the year of the cable, and while I did make a lovely cable scarf (The Irish Hiking Scarf), I think that I'm ready to try some cables in an easy sweater. We'll see. There's also a stash full of UFO's that have patiently been waiting their turn. I've been very, very good this year about knitting from my stash, so maybe I can hold out for a couple of more months. Then dear Santa, please remember me!


Then there is this. It is a first peek for faithful friends at what my art show will look like tomorrow night. Here I am, dear readers, embarking on a very new venture. I'm moving out of the basement and into the public eye. There's been great press covrage and radio, too. But I'm feeling a lot like Glenda Jackson must have when she stopped acting. The public demands and accolades are too daunting anymore. Been there, done that, don't want it.
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Friday, August 31, 2007

New Show Nearly Here

A quick post to send readers to the very nice press that I received in today's paper regarding my little show's opening next week. Thanks to PT who wrote it and to LC who printed it. Let's hear it for girlfriends!

http://www.theintelligencer.net/page/content.detail/id/52449.html?nav=528

Tomorrow the DH and I will attempt to hang the show. I'll let you know how it goes.

PURLS OF WISDOM

"Color is the real substance for me, the real underlying thing which drawing and line are not."
--Sam Francis

"The great man is one who never loses his child's heart."
-- Philosopher Mencius

"We wear our attitudes in our bodies."
-- Patti Davis

Colour embodies an enormous though unexplored power which can effect the entire human body as physical organism.

Colour is a means of exercising direct influence upon the soul.
--V. Kandinsky
I found I could say things with color and shapes that I couldn't say any other way.. things I had no words for.
--
Georgia O'Keeffe

Nothing is really work unless you'd rather be doing something else.
--
J. M. Barrie, Peter Pan

Faith is like driving a car at night. You never see further than your headlights, but you can make the whole trip that way.
--
E. L. Doctorow

Somebody once said that people become artists
because they have a certain kind of energy to release, and that rings true to me.
--Dale Chihuly